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Pieces of Sea

German born artist Gabrielle Berlet explores our unusual connections with the sea, one piece at a time.

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Art and text by Gabrielle Berlet

“I’m a big fan of the Ocean. I’ve spent time in the Caribbean snorkeling and became enchanted. There’s more Ocean here than Earth. I’m concerned for her as much as all of Earth and want to help bring awareness. She’s the Pacha Mama!”

“In creating my collages, I don’t do much research or planning. I find a backdrop that attracts me as I look through magazines and cut out objects that appeal to me; a ball, a face a fish, and keep cutting until I have a good pile. Then I immerse myself into the artistic process, which involves insight, spontaneity, self-doubt, many feelings, and let the art arise. What has to happen, no matter what the changes, is that I get to the point where I say, “Yes, I love it!” I have to love it. Then I glue it all down and it is finished.”

“The desert scene? Its from 2004. I lived in the high desert and loved the changing light. It had an Ocean quality with the sands and exotic ancient plants. I decided to try my hand at collage. This piece was my first. From there my collage art took on a life of its own”

“The pieces that involve water, fish and creatures of the ocean just come to me. I cut out images that I am attracted to. For example, I found a fabulous picture of a mako shark that I sat on for years. One day it fit into a backdrop, which had something to say. The piece came at the beginning of the “Me Too” movement. I didn’t purposely set the shark against the girl, that was chance.”

“I found the blue shark and cut it out, and it just fit this bucolic scene. Then I added the woman. It was so bizarre; it should never happen, right? It was like global warming. We are at a point where anything can happen.”

“The strange, pink deep sea creature apparently had only been recently discovered. It’s called an axolotl. I thought it was quite cute. The piece came together at the beginning of the pandemic. I call it “Shelter in Place.” I love the background. I cut out the robe years before. It was on a beautiful model. It felt like the piece was missing something and so I added the pet. People were sheltering in place with their pets.”

“The piece with the blue grouper coming through the window is a photo of Mariah Carey’s living room from Architectural Digest. I worked on it for a long time. I needed something in the window space and waited months for it to come together. When I saw an article on groupers, I knew a grouper belonged in the window. It took a long time but I finally glued it down.”

“The mouth and arms? I don’t know what it says. I liked the urchins because they made a kind of cuff for the arms—I am a bit of a fashion freak. But the two arms were not enough and when I came upon the mouth it seemed like a perfect fit. The electric plug came as an after thought. It was bizarre but seemed to work. I don’t know the meaning yet. Coral bleaching?”

“What the pieces say, I don’t always know. I have one piece that feels like a vision of things to come. When I create them, I have to be in the ‘right attitude,” with my humanness and irony intact. I like those forms of expression.”


Gabrielle “Gabi” Berlet was born in Germany and raised both there and in London. She came to New York as a teenager and attended Art School there but had to switch to supporting herself when her parents returned to Europe. 
She moved to western Massachusetts after the birth of her son and created a successful retail fashion business there which thrived for 25 years. In 2020 she moved to Los Angeles, CA and from there to the high desert and finally retired to the Coachella Valley where she started to explore her latent artistic talents in the form of collage work. She currently shares her life with her partner Mikole Kaar, an accomplished Jazz artist in Palm Springs California. Her email is: Gabiberlet@gmail.com 



Art

Rock & Water

Sculptor Jason deCaires Taylor evokes the sacred, populating underwater seascapes with corporeal objets d’art, meant to be assimilated by the sea.

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Text, photography and art courtesy of Jason deCaires Taylor.

Crossing the Rubicon, Museo Atlántico, Lanzarote, Spain, Atlantic Ocean

“Museums are places of conservation, education, and about protecting something sacred. We need to assign those same values to our oceans.”

Nexus, Oslo Fjord, Norway
Museo Subacuático de Arte, Isla Mujeres, Cancun, Mexico
Museo Subacuático de Arte, Isla Mujeres, Cancun, Mexico

As soon as we sink them, they belong to the sea.

The Rising Tide, River Thames, Vauxhall, London

“The Rising Tide was located within sight of the Houses of Parliament. The politician on a petroleum horse was an obvious metaphor for how fossil fuel companies are embedded into our politician system. I think we really have to start holding people accountable for what they are doing. And that needs to be documented in stone rather than in a few words in a newspaper column that disappears. There are a lot of people whose actions need to be immortalised.”

The Raft of Lampedusa, Museo Atlántico, Lanzarote, Spain, Atlantic Ocean
Museo Subacuático de Arte, Isla Mujeres, Cancun, Mexico
Nexus, Oslo Fjord, Norway
The Coral Greenhouse, John Brewer Reef, Australia, Pacific Ocean
The Silent Evolution, Museo Subacuático de Arte, Isla Mujeres, Cancun, Mexico

“It is named a museum for a simple reason. Every day we dredge, pollute and overfish our oceans, while museums are places of preservation, of conservation, and of education. They are places where we keep objects that have great value to us. Our oceans are sacred.”

Check out www.underwatersculpture.com for a lot more amazing work!


Jason deCaires Taylor MRSS is an award winning sculptor, environmentalist and professional underwater photographer. For the past 16 years, Taylor has been creating underwater museums and sculpture parks beneath the waves, submerging over 1,100 living artworks throughout the world’s oceans and seas. Themes explored by these artistic installations include, among others, the climate emergency, environmental activism, and the regenerative attributes of nature. The sculptures create a habitat for marine life whilst illustrating humanity’s fragility and its relationship with the marine world. Taylor’s subjects mainly feature members of the local community, focussing on their connections with their own coastal environments.

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