They Discovered an 11,000-year-old Submerged Ochre Mine
The exploration crew at CINDAQ, headquartered at Zero Gravity Dive Center in Puerto Aventuras made international news this year with their discovery of an ancient submerged ochre mine. Fortunately, they were happy to share the secrets of its discovery and how they documented their find with British cave and 3D photogrammetry instructor John Kendall. Oculus Rifts anyone?
By John Kendall
Header image courtesy of CINDAQ
In 2017, underwater cave explorers Fred Devos, Christophe Le Maillot, and Sam Meacham found evidence of ancient mining activity while exploring and mapping new tunnels of an underwater cave near Akumal, Quintana Roo, Mexico. Historians know that ancient residents actively mined pigment and other minerals from the caves of the Yucatan Peninsula, but the ancient mines the CINDAQ team discovered are now submerged, indicating that such mineral exploitation occurred thousands of years ago.
At the end of the last Ice Age, intrepid miners ventured deep into these tunnels with torches in hand. The navigational markers, mining debris, fire pits, and excavation pits they left behind are now entirely underwater. Over the last three years, the three explorers (along with others) have been surveying the site and making 3D photogrammetric models of the mine workings. As the mine has been submerged for around 8,000 years, it’s been untouched since then, and it’s an amazing time capsule. The project recently hit the international news when the first results were published. I was pleased to be able to chat with Chris, Fred, and Sam to find out a bit more about the project, and the challenges faced with archaeological work in a cave environment.
John Kendall: How did you happen to find the mine?
Chris Le Maillot: As always, there was a little bit of chance involved with it. The cave—Sagitario, which is a beautiful cave behind Minotauro—was initially explored by a few local cave divers. They established an upstream and part of a downstream, dropping down in the upstream to around 22 m/72 ft, and there’s the halocline sitting at that depth. It’s not always the case, but they didn’t take any survey, absolutely nothing. So I don’t think the information was there for them to continue on with the exploration. As you know, once you have that data in and have a good concept of what the cave is doing and where it’s going, it’s easier for you to poke around and find potential continuations of the cave passages.
So one of the divers asked Fred [Devos] to get involved to create a survey. That comes from the fact that Fred previously had done some mapping for these guys. Fred had a cave survey class coming up, so he took the class there, and spent the week with the survey class mapping the downstream part. Obviously, when they got to the end of the line, Fred could see that there was potential for further exploration. But you can’t really go off exploring during a class, so he went back with Sam [Meacham].
So then you went back and explored?
Fred Devos: Exploring caves is what we’ve been doing for more than 20 years, and so it’s a regular event during the mapping of a cave to find more cave to explore. You know, when mapping, we have to swim off to measure the side walls, sometimes there isn’t a wall, and then end up exploring that passage. I was in the process of making a detailed map of this cave, and found this passage, so I went back with Sam, and we immediately realized something was unusual. Things were out of place, we started seeing rocks piled on top of each other, speleothems in places they shouldn’t have been, and the further we went the more of this we saw.
“Exploring caves is what we’ve been doing for more than 20 years, and so it’s a regular event during the mapping of a cave to find more cave to explore.”
We started picking up a little bit of flow, which is always a good thing in exploration, and that led us to this restriction, where all the water was going through, and I don’t think we’d have made it through if the restriction hadn’t been manipulated before we got there. So, you know, speleothems were smashed out, and it really looked like 100 divers had gone through there before us, which really piqued our curiosity as we knew no one had been there before us. We happened to be in back mount during this dive and I managed to squeeze through there and called Sam through, and that was when we first saw irrefutable evidence of what humans had been doing in this cave—you know, pre-8,000 years ago.
“It was pretty clear to anyone what we were seeing, that people had been digging in here, smashing open the floor and pulling out huge amounts of sediment and piling stuff out of the way. It was super exciting.”
We didn’t have to wait for lab results to come back or ask an archaeologist about it. It was pretty clear to anyone what we were seeing, that people had been digging in here, smashing open the floor and pulling out huge amounts of sediment and piling stuff out of the way. It was super exciting, as it was something we’d suspected for quite a while but had never really determined for sure that was what we were seeing. But this time it was obvious, and there was no question about it.
So, how large an area does the mine occupy?
Sam Meacham: It’s about 250 m/817 ft of cave passageways that are exemplary of the mining activity, and everything we’re seeing there shows the things that people were doing in the mine.
Devos: And we haven’t finished exploring yet. There are hectares of mining area, so it’s not just one hole that’s been dug out. It’s entire passages and we’re talking about hundreds, maybe thousands of tons of material, and remember we have dates spanning maybe a 2,000-year period.
What makes La Mina so significant from a scientific point of view?
Devos: The amount of workings means that this was a massive undertaking. Not just the mining itself, but it’s clear it wasn’t just a one-person adventure. It must have been multi-generational, but beyond that it speaks very much about the organization of the people of that time. So as you can imagine, they were in a dark cave and needed fire for light. So they needed people to bring in the firewood, and others to cart out the material, and there were probably explorers at the time. You know, people that ventured further into the caves away from the exit into the smaller passages…to find this very valuable resource. And I imagine they were the ones that were being punished somehow because the risk involved was probably much greater. So, you know, if they didn’t do their work well in the mine, they probably got sent to explore.
So are there any archaeological signs on the surface around the mine?
Devos: Well there probably are, there’s certainly Maya era archaeology, and in almost every cave we see evidence of that, but we’re talking about 5,000 years ago. The mine was even further back, so anything that was once there won’t be anymore, and the only place we are likely to find anything is in the caves.
Let’s chat about the photogrammetry side. More and more people are hearing about photogrammetry, but I think the readers will be interested to hear a bit more about the challenges that you faced doing photogrammetry in a cave environment, where everything around you is archaeological.
Meacham: I think that can get us started on an interesting concept. In 2010, Chris, Fred, and I, Beto Nava, as well and Franco Attolini and Danny Riordan and Roberto Chavez, all did our underwater archeology course here in Mexico with the Nautical Archeology Society that was supported by the National Institute of Anthropology and History (INAH). It empowered us.
And by having that NAS certification, it kind of helped check a box for the Institute. And, you know, they could say if anybody questioned our abilities, well, we’ve got the certification.
I’d say the genesis of this for all of us here was the Hoyo Negro project, and with the exploration followed by the high grade survey, and then the photogrammetry, which is another whole level in itself. The major problem in Negro is the pit itself—it’s just immense—and how do you document something like that? So we worked with Beto and the team who came up with a grid system at 34 m/110 ft depth, and then it’s every 0.8 m/2.5 ft with a cookie on the line, and so it’s a systematic grid. The difficulty there is that it’s not just a nice flat bottom, it goes from 40 m/130 ft to about 55 m/179 ft, and it just becomes really complex.
But basically what I’ve been doing there is assisting with the lighting or helping Beto. So when we jump forward to doing the mine, it’s a completely different environment. There’s no pit—it’s a continuous cave—so there was no way we could put in a grid, and I’ve never really done photogrammetry before. I had observed it being done, but I was starting from scratch in terms of my own experience. So it was a challenge, but I had plenty of people to go to as resources, and who could check out what I’d done and help make it better. And what’s interesting about the big model is that you can see my progression as we go around, and now of course I want to go back and do it all over again.
So in terms of the challenges, I bought a Sony A7S camera and a Nauticam housing for it, and we just went in and started taking a bunch of photographs, came back, and put it into Agisoft. I have to say my expectations were low, but we were all pleasantly surprised when the model came back. This is like, “Wow that’s what we’re actually seeing there,” and it’s so cool. So that gave me the confidence to say, “I think I can do this,” and we basically picked about 250 m/817 ft of cave passage, which is a great example of the mining activity and of seeing what people were doing there.
That sounds like quite a learning curve, and a big challenge.
Meacham: Yes, we just started going in and piece by piece doing sections of the cave. I can’t remember how long in total we were down there. I’m sure it’s written down somewhere, but we took something around 18,000 photos. And as you know, taking the photos is probably the easiest part. Having the computing power and post-processing of the images is the key. A lot of people treat Agisoft as a bit of a black box, but you know it’s garbage in, garbage out. So in terms of the environment, we’re talking about a ceiling height that’s minimal, and while you can fit through OK, you want to be as high as possible for the photogrammetry in order to cover more area.
“I’m sure it’s written down somewhere, but we took something around 18,000 photos. And as you know, taking the photos is probably the easiest part. Having the computing power and post-processing of the images is the key.”
So, we just worked section by section, using the line as a reference. I was going down the line and started by making sure that I got any markers on it, and then going back and forth to get all the photos. The person that suffered the most was whoever was assigned to dive with me, as they just had to sit there and watch me go back and forth while taking the photos.
18,000 images! That’s a whole lot of processing.
Sam Meacham: Yes, we’re lucky to have the guys at University of California at San Diego (UCSD) helping us with the processing. I probably started off taking too many photos, but the computer guys complimented us on the photos and the overlap and coverage.
So what about other survey techniques, was there anything special about mapping this site?
Devos: We surveyed the first part of the cave, and that was pretty normal, but once we found the mine, then suddenly we had a need for all these new types of symbols that didn’t exist before for cave survey. I tried to think about what would be interesting to make notes of, but I didn’t want to speculate as to whether something was a natural pit or whether it was digging.
So we came up with three new symbols. There was already a symbol for a pit, but we added a jagged line on the pit to show that there was a broken edge, so it was smashed. Then we came up with a symbol for a displaced object, so if you see some stalactites and there was no way it came from the ceiling above, then that’s a displaced object. And then if you have stacked objects, so objects placed on top of each other, we had a symbol for that. We then made all of these colored red. I chose red because of the extracted material, the ochre. Also, when you look at the map, and you see all that red, it really shows the extent of the manipulation of the cave. It really brings it out, and I think that’s the most important thing about this cave. Sidewall information is nice, but this is very much an archaeological site.
So what’s next with the site? Any further diving plans?
Devos: We have some plans in place. The map that we’ve made, the photogrammetry, and the video documentation, even the exploration are not finished. So we actually concentrated on one area and tried to get that in the bag, you know, and focus our studies and our samples in that area, without stretching too far, but there’s still a huge portion to go. The technology really helps here, because you can bring that information out for the scientists and others to see. And then there’s much less need for others to go back there.
And this is really the part where we don’t know what’s going to happen. Are divers one day going to be able to go there to tour this site? Luckily, I’m not the one who will be making that decision; there is an archaeological department in Mexico who set the rules. But these conversations are starting, and we’re not really sure where they will lead. But for now we are doing what we can to secure the documentation of the site and working closely with the archaeologists and the landowner.
So a last question: What would your advice be to a diver who is just starting out on their GUE journey, and who hears about this and other projects, and wants to one day join?
Devos: We have been running all kinds of projects down here for years: exploration, science, surveys. Come and get involved, and help out. Good basic training helps open up the door.
Meacham: Once you’ve trained and gained enough experience to become confident in whatever environment you’re interested in, then come and get involved. There’s great training with the GUE Documentation Diver program, Science Diver, Photogrammetry Diver, and Cave Survey where you can actually put these skills to the test. Everyone on a project is an important part of making it work. Obviously it becomes tricky when archaeology is involved, as there can be federal laws and regulations that restrict access, and so we can’t always put just anyone onto a site, but there are all sorts of projects within GUE to help develop those skills and get known by project leaders.
Le Maillot: Of course, project diving is what GUE has been known for since the very beginning. So I think making that initial step to take training with GUE is an important one in the right direction. That’s the starting point of understanding how we are organized, the procedures that we use, [and] the team aspects of all our diving. And then it’s about thinking about what you want to do.
“Of course, project diving is what GUE has been known for since the very beginning. So I think making that initial step to take training with GUE is an important one in the right direction.”
If you’re interested in wrecks, you have Mario Arena in Sicily or Richard Lundgren with the Mars project, and you’re naturally going to be headed down the Tech 1/CCR route. If it’s the stuff in Florida, or Bosnia, or here in Mexico, and the cave thing really rocks your boat, then that’s where the GUE cave training comes in. Then, as you progress with your tech or cave training, you will get to know divers who are involved in projects, and that could be your instructor. You know, if you come here to do some cave diving in Mexico, then Fred is going to mention a few things about survey and cave projects in Mexico and around the world. So that will start opening up a different perspective for you.
Watch a Video of the Mine on GUE.tv. (Requires a GUE.tv membership or signing up for a free trial)
For more information about the La Mina project, you can visit the CINDAQ website
Check out the CINDAQ YouTube channel
John Kendall is a GUE technical, cave, and CCR instructor living in the UK. Since he was a small child, John has been fascinated by the underwater environment and the possibilities of adventure, and he is grateful to GUE for helping him to turn those childhood dreams into reality. As an instructor, John regularly travels around the world teaching GUE classes and helping to build local GUE communities. For the last 5 years, John has been working with underwater 3D Photogrammetry as a technique for nautical archaeology. This cutting edge technique allows for digital 3D models to be created of shipwrecks and caves, and allows researchers and scientists unparalleled abilities to manipulate and navigate the sites from the comfort of their own computers. John was the primary author of the GUE Photogrammetry class. He is also a member of the GUE Training Council and a Fellow of the Explorers Club.
Earlier this summer Jake Bulman and the Protec Team launched their 2023 expedition to Madagascar’s formidable Malazamanga cave known for massive tunnels, formations the size of buildings, and its unbelievable cobalt blue water. They then journeyed to Anjanamba, which despite enormous passageways, consistently turned into tight, restrictive spaces before opening up again. Having appeased the cave spirits and returned safely, Bulman offered up this account.
by Jake Bulman. Photos by Phillip Lehman. Lead image: (L2R) Jake Bulman, Patrick Widmann and Ryan Dart motoring through the first mega-room after Ryan’s Chamber, Malazamanga.
Deals made. Plans Laid
As I sat in the Paris airport working on my computer, Patrick Widman gestured to me to remove my headphones. He and Phillip Lehmann sat across from me and asked if I wanted to make a deal. Assuming I was walking into some kind of joke, I replied with a hesitant “Sure.” “Next summer you come with us to Madagascar, if you…“ “Yes! Deal, ” I answered before he finished explaining my end of the deal. It didn’t matter, the answer was yes. Patrick finished laying out his already agreed deal, headphones went back in and everybody went back to what they were doing, except for my thoughts, which went to “Holy Shit! I’m going exploring in Madagascar!”
Now nearly a year later in June 2023, we were back in Paris, this time packing all of the bags for the flight to Antananarivo (“Tana”), Madagascar’s capital city. When we got there we met up with Tsoa, who is the local contact, translator, organizer, and overall critical part of the team. Our bags headed to Toliara with the drivers while we spent the day doing some errands.
The next day was important to me, not because i turned 30, but it marked the end of a bet Patrick and I made in 2020, for which I had now won $100. The victory was short lived, however, as I spent that day stuck in my hotel room violently sick. Welcome to Madagascar!
After a short flight, overnight in Toliara, then an hour long boat ride along the coast, we reached Anakao Ocean Lodge. This place is a bit of a shock to the senses after traveling through the poverty stricken cities. Luxury in the middle of nowhere; it would be our basecamp for the trip. As Patrick and I posted a photo of the place, Phillip sarcastically mourned the loss of any “hardcore expedition” image people would imagine.
The next day we planned to meet up with the National Parks’ representatives, organize porters, transport all the equipment to the site, then get in the water and place all of the deco tanks and scooters we would need, and finally be out by dark to avoid being stranded overnight. This may seem overly ambitious, and it was, but is a good example of the overall approach of the project. Always go all in, no shortcuts or laziness, and if it was not possible in the end, no worries at all. The goal is to have fun with the group and do awesome stuff, which we always did.
”This is the most epic cave ever”Phillip Lehmann on Malazamanga
Musing on Malazamanga
Malazamanga, a cave of indescribably massive tunnels, formations the size of buildings, and amazing blue water dominated the first part of the trip. We set up a little basecamp in the mouth of the cave, each of us with our own spaces to change, hang up our suits to dry, and change sorb each day. The entrance swim is a tediously frustrating one for rebreather divers: 20 minutes of low ceilings, bouncing from 20 m to 5 m/66 ft to 16 ft and back several times, never allowing space to sit “in trim”, and no flow to remove any of the inevitable silt that came from passing with multiple scooters, stages and divers.
However, once you reach Ryan’s Chamber, the first big room, you find a staging spot for leaving scooters and tanks for the following day, and a small tunnel leading to the real, intimidatingly massive, Malazamanga.
Patrick and I went to the deep section right away (45-50 m/138 to 164 ft) and spent three days trying to find the way on, while Phillip and Ryan Dart looked around the shallower parts of the cave (20-30 m/66-100 ft) for any leads that had not been checked. Patrick laid line while I surveyed behind him through a wide but low space that became swirling silt and clay by the third tie off. We reached a vertical shaft, Patrick asked me to hold and ran a line into a smaller tunnel below us that led to a restriction. In spaces like this where zero visibility is guaranteed, diver two will be pushing through restrictions blind, having no idea the shape or size of the space around them, which is a recipe for disaster, so I waited on the line for Patrick to return and started a timer.
As fifteen minutes showed on the timer, it started to feel like a long time. How long do I wait before doing something? Five more minutes rolled by, and my mind started to run… What if he has a problem? Does he need help? Memories of having to get somebody out of a similar space once before came to mind. But this time it was Patrick though, if he truly needed help it would be a serious situation. I decided to give him until 30 minutes from when he left, and then I would go in (slowly). With four minutes remaining, a glow appeared before Patrick explained that “it’s tight, but it goes.” It was a long wait that meant a bunch more deco, but this could be the way on.
The next day I was tasked with pushing the End Of Line (EOL) while he and Phillip looked elsewhere. After twisting, turning, removing tanks, and wondering if this was a good idea more than a few times, I pushed through a few ups and downs, but the cave unfortunately ended in a basement section at 52 m/170 ft. No going leads. Time to head home.
Breakthrough and Packing Techniques
Our daily routine started at 06:30 with a breakfast of bread, fruit, eggs, tea and espresso. We’d leave the garage at 07:00, meet the porters at the bottom of the hill in the national park and send the equipment with them. Phil would then educate us on the risks of breakthrough, importance of proper packing techniques, and the impact of dwell time. All of which are critical to making espresso.
After making espresso, the handpresso is put away, we hike the 30 minutes up the hill, get dressed, dive four to six hours, then head home. Back at the garage by 08:00 pm, fill tanks for an hour, eat dinner at 09:00 pm, and then sleep. All the while making jokes, sharing stories, talking about life, trying to blind each other with lights, and being shown the same photo of Rosie, Phillip’s pit bull, with a “look at this awesome photo” preceding the photo display by a few seconds.
All in all, going diving required some effort, not to mention the week of traveling with piles of luggage to get there, the week to get home, and all of the time spent organizing beforehand. In terms of “cost (time/money/effort) per hour underwater” it is some of the most expensive time I’ve ever spent underwater.
One day, after a significant amount of problem solving in the hot, muddy entrance tunnel of the cave, we finally got everything sorted and started doing checks. Halfway through, Phillip said, “I’m not into this. You guys go. Nobody is paying me to do this,” and started to remove his tanks. Considering the “cost per hour underwater,” I think many of us would go whether we wanted to or not, giving in to a sunk cost fallacy-like sense of commitment.
We reformed a plan for the two of us, a few angry birds levels were completed on the surface, and everybody went home excited to see the survey data. There is a lesson to be had here for many of us, about what is actually important and ignoring those perceived, often self-induced pressures to carry on even if it doesn’t actually make sense.
We scoured every corner of the section we were in, until a hole underneath a formation showed a large room on the other side. I tied in at ~40 m/~130 ft, headed down the slope to where floor met wall, removed my tank, locked the reel, threw it through the hole, and headed in. Once my torso passed the squeeze, still inverted in the water, I put my tank back on, grabbed the reel, and swam the direction that I remembered it went. I passed the cloud and made a tie off. Turn, tie off, into a bedding plane, tie off, big room, tie off, and stop.
The floor suddenly featured huge, wavy marks that everybody recognizes as signs of flow. A lot of it. Massive clay bricks fit together like tiles in the riverbed resembling floor. A promising development, I tied off and ducked my head under the lip of the ceiling. Instantly the ceiling met the clay bed and the cave ended. Water unfortunately doesn’t consider human size in its choice of direction. Back to the drawing board.
“Fuck it, let’s just see what happens”Patrick Widmann
To Breathe or Not To Breathe
At the time, the furthest reaches of Malazamanga was an enormous collapse with no way beyond it except a few air domes. We were aware the air domes may not be breathable, but lacked a proper analyzer for that. After some thought, Patrick decided that we would just give it a go one at a time. We surfaced and knelt close together as Patrick closed his DSV and took a short breath of the gas. Wearing an expression resembling somebody tasting less-than-appetizing looking food he took a second breath.
Watching intently, I saw the expression quickly change from hesitant but ok, to uncomfortable to concerned as he put his DSV back in and opened it. I was ready for him to pass out as we sat there breathing, but nothing happened. We knew it was likely not breathable, but I wanted to see what it felt like! I removed my DSV and took a breath. A humid, thick, shockingly hot breath filled my lungs and I was not going to take a second one. No way that was safe, I thought, as the burning in my lungs slowly faded.
Patrick climbed out with just his rebreather (and flowing oxygen) and took a quick look around, but no luck. As he was getting dressed again, I popped my head into a few holes and found a passage that looked to slope downwards on the other side of a tight squeeze. I ran a line in with Patrick behind me, and tried to push through but couldn’t fit. After removing myself and the cloud of unavoidable silt surrounded us, I grabbed the rock that was in the way and flipped it over. If you have ever moved a big rock in a collapse, in a never-before-dived cave, you can imagine the visibility afterwards. We backed out, went to check a few other places, then returned hoping for slightly better visibility.
Patrick was the next one in, leaving a tank on the line with me this time, and he extended the line down the slope on the other side. I heard rocks falling, tanks banging on rock, grunting, laughing, bubbles moving along the ceiling, and then he returned with his hands shaking like crazy. Whatever was over there, was not for the faint of heart it seemed. After a bit of cooling down, he went back into the cloud, which was followed by loud yelling. Excited yelling. We exited, and planned our return for the next day. What lay beyond the 6 m/20 ft deep, vertical, awkward, tank-off restriction was an open space that continued downwards to what appeared to be 40 m+.
The next day, I was going through first. We rehearsed the shape of the restriction and the series of movements needed for passing it on the surface. It was weaving through the space where collapsed boulders met the sloping ceiling, and any extra force on the wiggling rocks meant possible collapse. The plan was for me to pass, tie into the EOL, and head off. Patrick would pass behind me with the MNemo and survey in. Adding tie off after tie off, I headed deeper, then flattened out, then up through an opening to my right. Now it was my turn to yell, the cave had returned to its previous enormous size!! This celebration lasted three tie offs, as we climbed yet another collapse that was quite clearly the end. Cut line, put reel away, look around knowing that nobody will ever be here again, and head home.
On to Anjanamba
Several options lay ahead of us, which Patrick and Phil weighed over dinner. Continue searching in Malazamanga, or get the filming done then head north to Anjanamba, or spend the next two weeks surfing. The last option was apparently way more valid than the joking suggestion I had taken it as. Fortunately, the second option was the choice. We spent a day scootering around with lights in hand and on the DPVs. Screen grabs of the video were used as photos for this article.
We also had two surfing days, where I (having never surfed before) mostly tried to not get annihilated by the waves. My second goal was “not to kill anybody” as Patrick and Phillip repetitively warned me not to do it with my oversized board (only a stand up paddle board was available). Fortunately I’m a very strong swimmer, as I spent large chunks of time crashing and burning, then being tossed around by the ocean.
”This is the most epic cave ever”Phillip Lehmann on Anjanamba
Heading up to Anjanamba featured a boat ride, a seven hour drive that resembled one of those truck commercials trying to show how tough its product is, and a journey through the Mikea National Park which had no paved road either. During lunch break everybody commented how much better it is now than it was several years ago, describing it as “pretty smooth” and “less violent” in the same sentence.
We visited the local village, where residents are the spiritual keepers of Anjanamba, to talk to the chief and say hi to a friend of Tsoa who had just had a baby. While there we got a tour of their newly built school, joked with the children a bit, took a photo and headed home. For a lifestyle that is so drastically different to our own, with so much less of everything tangible, the village seems a happy, lively place with kids running and playing. However it is easy to see the need for food, schooling, health products, and basic medical care to name a few.
Appeasing the Spirits of Anjanamba
Anjanamba is the location of the filming of the “Spirits of the Cave ” series (see DIVE DEEPER below). Described as a much more dendritic, Mexican-like cave with a blue color that puts the famous Mexican salt water tunnels to shame. The name of the series doesn’t come from nowhere; this cave is home to several spirits. In order to appease them, a few things need to be accomplished.
First, we must visit a big, double trunked baobab during the walk there. We remove our hats, gather near the meeting point of the trunks, place a pointer finger on one tree and pinky on the other (think bull horns hand shape), bow our heads and ask the spirits for two things. One, that they allow us to find an epic cave that goes. Two, that they grant us safe passage and everybody returns home safely. The ever-present, always watching lizard that lives there looked down in approval. The locals however, who had no idea what we were doing, waved us back to the path with a smile and laugh.
Once that is done, a ritual must happen with the Mikea people (in which the National Park is named after). Patrick and Phil have already been through it, so it’s just me. The chief started the ritual, as they each took a sip from a bottle of rum we had brought. Tsoa explained to me afterwards what they had been saying (asking the spirits to accept me, safe passage etc). Notably, it included nothing about finding mega cave, but we had already covered that during the lizard tree ceremony I guess.
The guys had warned me about the second part of the ritual, which had me eating a part of the cave – sand, dirt, rock, whatever. The chief continued speaking, and Tsoa told me it was time. I pinched some sand, put it in my mouth and swallowed. Phillip verified it was all gone. In the background I hear Patrick stifle a laugh, and my long-held suspicion was proven true, this was not actually part of it. The locals found it hilarious, and it wasn’t as if I was going to say no in any case. Diving time.
As usual, we were quite late and had made very ambitious plans which didn’t quite pan out. But we did as much as we could, then headed back to our new home at “Laguna Blu.” Like in Anakao, we had great food, friendly staff, beautiful views and comfortable sleeping.
Having laid less line than we had hoped in Malazamanga, we were keen to “bash some reels”. Anjanambas current EOL lay at more than 2287 meters/7500 feet with an average depth of 18m/60 ft or so. It featured enormous tunnels and decorated rooms, yet consistently turned into tight, never-quite-ending spaces before returning to vast rooms with pristine formations all over the place.
Patrick and I each carried a stage, and I carried the back up scooter. Passing through the 30 minutes of sideways swimming, weaving up and down, belly scraping, up and down cave with a negatively buoyant scooter in between my legs meant it was not always smooth sailing. Fortunately it usually got stuck when I was in the back so nobody saw. We reached the end of the line, Phillip tied in and headed off with Patrick recording and me surveying behind them.
From my POV, it looked likely to end every 10 tie offs only for the line to weave into a little corner of the room and continue, with nothing but a light dusting of silt at each tie off as signs of my team ahead of me. This repeated for another 457 meters/1500 ft of line until the reel was emptied, everybody cheered and fist bumped with excitement and then decided that we really needed to head home.
Our DPV charging plan didn’t pan out, so after each day Patrick and Phil drove over to a neighboring location and ate lunch while the scooters charged. I went back to Anjanamba and swam some of the closer lines checking for any going cave. After extending a few EOL’s, the sections had been checked without much luck. After a few days of exploring in Anjanamba, which mostly featured a repeating pattern of restrictions then big rooms, we finished our last diving day with nothing clearly going, but a few hopeful areas left.
End of the Line
As we reached the end of the trip, instead of feeling tired as we expected, we found ourselves ready for more. We had lots of sorb left, but had used every last liter of oxygen. Unfortunately, it was time to take a group photo with the locals, dry our equipment and start the journey home. Not only did we have flights to catch, but we had classes to teach less than 12 hours after landing in Mexico.
After five weeks of expedition, we had managed to get the most out of every day, be on time almost never, and explore some amazing cave. More impressively, I don’t recall a single argument or bad mood at all, which is rare when you spend 18 hours per day with the same people. Until next time, the villagers return to their normal lives, we go back to the Caribbean, and the spirits of Anjanamba can rest again.
We did have one last day before heading home, in which we would make a discovery. What will come of it is yet to be seen, but I’m sure it’s going to be a mega-epic either way. In fact, probably the most epic cave ever.
The Protec Team‘s past Madagascar Expeditions:
YouTube: Spirits of the Cave (2017)
YouTube: Spirits of the Cave 2 (2019)
YouTube: Spirits of the Cave 3 (2020)
Originally from Canada, Jake Bulman is a full-time cave diving and CCR instructor at Protec Dive Centers in Mexico. The last several years of teaching have been almost exclusively sidewinder focused, from try dives to CCR Cave classes, 4C to 24C, and in several countries around the world. Outside of work, he can be found on exploration projects in local caves of a wide range of depths, distances, and sizes.