Text, photography and art courtesy of Jason deCaires Taylor.
Crossing the Rubicon, Museo Atlántico, Lanzarote, Spain, Atlantic Ocean
“Museums are places of conservation, education, and about protecting something sacred. We need to assign those same values to our oceans.”
Nexus, Oslo Fjord, NorwayMuseo Subacuático de Arte, Isla Mujeres, Cancun, MexicoMuseo Subacuático de Arte, Isla Mujeres, Cancun, Mexico
“As soon as we sink them, they belong to the sea.“
The Rising Tide, River Thames, Vauxhall, London
“The Rising Tide was located within sight of the Houses of Parliament. The politician on a petroleum horse was an obvious metaphor for how fossil fuel companies are embedded into our politician system. I think we really have to start holding people accountable for what they are doing. And that needs to be documented in stone rather than in a few words in a newspaper column that disappears. There are a lot of people whose actions need to be immortalised.”
The Raft of Lampedusa, Museo Atlántico, Lanzarote, Spain, Atlantic OceanMuseo Subacuático de Arte, Isla Mujeres, Cancun, MexicoNexus, Oslo Fjord, NorwayThe Coral Greenhouse, John Brewer Reef, Australia, Pacific OceanThe Silent Evolution, Museo Subacuático de Arte, Isla Mujeres, Cancun, Mexico
“It is named a museum for a simple reason. Every day we dredge, pollute and overfish our oceans, while museums are places of preservation, of conservation, and of education. They are places where we keep objects that have great value to us. Our oceans are sacred.”
Jason deCaires Taylor MRSS is an award winning sculptor, environmentalist and professional underwater photographer. For the past 16 years, Taylor has been creating underwater museums and sculpture parks beneath the waves, submerging over 1,100 living artworks throughout the world’s oceans and seas. Themes explored by these artistic installations include, among others, the climate emergency, environmental activism, and the regenerative attributes of nature. The sculptures create a habitat for marine life whilst illustrating humanity’s fragility and its relationship with the marine world. Taylor’s subjects mainly feature members of the local community, focussing on their connections with their own coastal environments.
I LOVE diving in the Florida caves, I could dive them every day (and I probably almost do!). I love taking photos on the surface of divers getting ready for a cave dive, getting gear prepped in the water on the surface, and taking photos in the cave. I want to showcase Florida springs more for those unable to visit.
My first camera was a GoPro. I was interested in taking photos of fish and coral and doing macrophotography. Once I got into tech, the focus of my photography changed from taking fish pictures to telling the story of divers. Now, I am interested in technical divers as the primary focus of my photography, whether it’s underwater or top side.
Diving, especially technical diving, is such a male dominated industry. It’s not often you arrive at a dive site and have more female cave divers than males. So, there’s something empowering about women tech divers that is very intriguing.
When we show up for a dive, I bring my camera, and start shooting! I am trying to showcase and highlight female cave divers doing their thing. Seeing these powerful women in their element enjoying a nice afternoon or evening cave dive together is what I aspire to share.
I don’t actively look for females to photograph, and my photos are not staged. The women I photograph are my friends. I want people to see that they are just normal tech divers, who enjoy diving.
I was diving at Ginnie Springs in High Springs, FL, and when I surfaced and took my hood off, a little girl said, “Look Dad, that diver is a girl! I want to do that when I grow up.” This was a heartwarming feeling to know that I could inspire a young female to do anything she puts her mind to.
From my time living in the UK, I was unable to dive often, and that’s when my illustrations started. It was basically my way of coping with not being able to dive! I mostly started drawing for me and then started to share it on social media.
Most of my illustrations are focused on water and environment conservation. I like to highlight the beautiful natural springs and the ocean. Anything related to water!
Some of my older illustrations highlight awareness of marine life and how to preserve and protect them. I am interested in environmental conservation and hoping my illustrations highlight this. I also like to add illustrations of my dog, Nabee, in some of my artwork from time to time.
I had the opportunity to capture a very sweet moment when my cave diving buddy, Christina Green and her wife Heather, introduced their one-month-old baby girl, Addison, to Ginnie Springs for the very first time. It was a very powerful photoshoot highlighting Christina gearing up, while also tending to her wife and daughter.
When divers gather at the surface we may see many differences, but as soon as we go underwater, we have a shared experiences that transcends culture, and gender. In my personal opinion, water is a great equalizer.
Bori Bennett was born and raised in Korea. She met her husband, JD, in 2003, and they have lived and travelled around the world for his work. Bori lived in Papau New Guinea in 2013, where she received her open water certification. She has been actively diving since then. Bori is a full cave diver, with a TDI full cave certification, GUE Cave 1, GUE Cave 2, and looks forward to becoming a DPV diver in the future. After 20 years of living around the world, Bori, JD, and their dog, Nabee, moved to their forever home near Ginnie Springs in High Springs, FL in 2021.
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